Mark Perryman argues that now more than ever is the time to transform Labour into a social movement

Backed by what was undoubtedly the tune of the year Philosophy Football chooses images that record 2017 as twelve months of resistance and sometimes change

Wow! 2017, twelve months of surprises, mostly unpleasant some not so. At its core all things Trump who since his presidential inauguration at the start of the year has managed to fulfil all our worst fears of what his time in the White House would come to represent.#ToryBrexit more or less achieved the same mix of reaction and risk yet June came close enough to ending May to give us a belief that a very different outcome may yet prove possible. Jeremy Corbyn's Labour 'For the Many not the Few' summing up the possibility of an alternative to austerity we witness daily with the growth of foodbanks, and the spead of a low-wage casualised economy. The consequences of putting profit over people, the human tragedy of Grenfell. But it doesn't have to be like this. Trump's racism was rejected by the 'take a knee' movement,#MeToo turned one man's horrific treatment of women into a movement to resist and transform, Corbyn's Labour was written off at the start of#GE2017 now it is a serious contender for government.

The continuing, and increasingly devastating, impact of Climate Change could mean us having nothing much to look forward to but everytime we prove we are many, they are few there is hope. If one image of 2017 captured this it was the calm, courageous dignity with which Saffiya Khan stood up to the hateful EDL when they came to her city. With that spirit shared by we, the many, in 2018, neoliberalism won't just be broken, it will be replaced by something better. Happy New Year!

Never mind miserabilism this Christmas MARK PERRYMAN discovers more than enough books that described reasons to be cheerful

Trump, the threat of nuclear war with North Korea, an unfolding sexual harassment scandal, the human tragedy of Grenfell, a weak and wobbly government shored up by a coalition of hell with the DUP. All good enough reasons to have a pretty bleak view of the world in 2017. But Christmas, whatever our faith or none, is a time of hope, so my selection of the year’s most compelling political books tends to err on the side of hopefulness, with no apologies.

There’s plenty of the customary mix of pessimistic intellect and optimistic will in the sublimely good, and substantially, updated post-election second edition of Richard Seymour’s Corbyn : The Strange Rebirth of Radical Politics. For a practical insight into how that radical politics is being organised in and around Labour The Way of the Activist by Jamie Driscoll and Rachel Broadbent, published by the excellent Talk Socialism political education group, provides a how-to guide which is rare in the scale of its imagination and ambition.  Chris Nineham’s How The Establishment Lost Controlbuilds on his earlier account of the Stop the War movement The People v Tony Blair to make a case for a left politics that is rooted in the movement rather than the party. The issue for me is whether without the leverage a well-organised left within Labour, yet open to the movements Chris describes, change can be effected. John Medhurst’s That Option No Other Exists since it was published in 2014 has become the definitive account of both the necessities for such a Labour Left but the limitations therein too. Perhaps the best way of combining both options, in but not restricted by Labour, is the popularising of radical ideas, there’s few better starting points for such an objective than George Monbiot’s latest book Out of the Wreckagewhich describes its purpose as “ a new politics for an age of crisis.” Or perhaps it's best this Christmas simply to sit back, kick off the slippers and reflect on how the past twenty years has ended up with Jeremy Corbyn (Jeremy Corbyn!) closer to Number Ten than anyone ,including himself, could ever have imagined. John O’Farrell tells the story of those two decades with his own unique, and richly amusing, style in Things Can Only Get Worse?  And as for where it all started, Richard Power Sayeed establishes himself as the definitive critical chronicler of the Blair years with his superb book 1997: The Future That Never Happened.

If we can agree that to make a success of Corbynism demands a wider perspective that both includes Labour but goes beyond it too then to help us to understand the nature of the politics this now demands is Platform Capitalism by Nick Srnicek which provides an overview of the economic terrain on which Labour would seek to govern for the many, and all that. To come anywhere close to fulfilling that aim will require reinventing what we mean by the collective, aka ‘the many’. A process made a tad easier following a reading of Lynne Segal’s new book Radical Happjness a project she describes as rediscovering processes towards creating ‘moments of collective joy.’ The Mask and The Flag   by Paulo Gerbaudo foregrounds the thinking of a new generation of activist-intellectuals as they seek to map out a similar project towards new forms of collective action. The collection Beautiful Rising showcases this process on a global scale with one inspiring example after another to leave campaigners breathless with the belief that abother world remains possible. One domestic example of this sort of resistance were the 2010-11 protests against the tripling of tuition fees, a story now retold in Student Revolt by Matt Myers. Matt describes the lasting political legacy of these protests as an ‘austerity generation’ many of whom are now supportive of, and involved in, Corbynism. But the broader impact remains the wholesale, and disastrous marketisation of higher education, the consequences of which are powerfully accounted for by Sinéad Murphy in her book Zombie University, a right horror show.  None of this pales into insignificance, of course, compared toTrump’s Presidential reign but his brand of reaction has proved more than bad enough to dominate much of 2017 . Why Bad Governments Happen To Good People is Danny Katch’s handy explanation of how America ended up with Trump in charge. 

In Britain meanwhile the next General Election, barring a major miracle, will be fought post-Brexit. So understanding the likely impact of this rupture is vital in preparing for Labour not just to do better next time but to win. In The Lure of Greatness author Anthony Barnett gets away from the liberals’ blame game to explain why Brexit happened and carves out a future politics that can reverse those reasons. But before we get there there’s a very real likelihood of things turning nasty, with food prices, even shortages too, quite possibly at the centre of such tensions. Bittersweet Brexit by Charlie Clutterbuck is the first serious attempt to explore the #ToryBrexit consequences for farming, land and food inflation. One of the chief architects of this almighty ‘uck up is Boris.  For too long treated as a loveable rogue he is in fact both hapless and dangerous, a lethal combination brilliantly exposed in Douglas Murphy’s account of his tenure (sic) as London Mayor Nincompoopolis.  Is there any way out of the mess? Harry Leslie Smith’s powerfully written Don’t Let My Past Be Your Future continues this ninetysomething author’s effort towards a call to arms (of the metaphorical variety) with a passion and poignancy still all too rare in our body politic.  Stuart Maconie revisits that past which framed Harry’s lifetime of views with his Long Road from Jarrow an imaginative tracing of the 1936 Jarrow March, then and now  Or for a very different take on how the legacy of yesteryear’s politics shapes the politics of today and tomorrow try the innovative, and very challenging approach of  Revolutionary Keywords for a New Left where author Ian Parker offers a redefinition of the vocabulary of change, A-Z.

Precious few writers manage to effortlessly mix popular culture with radical politics. Yet without that combination any prospect of change is seriously reduced. One author who did was David Widgery, a selection of whose writings have been re-issued with the great title Against Miserabilism.  One of the finest current exponents of making these kinds of connections is Laurie Penny, her latest book of essays is Bitch Doctrineand not one of them fails to impress with the sharpness of wit, tone and politics.  A towering influence over making connection of politics and culture indvisible remains Stuart Hall and it is therefore hugely welcome that following other recent collections of Stuart’s work a new selection has been published of his lectures on race, ethnicity and nation The Fateful Triangle. In this era of the revival of a populist-racist Right this is an absolutely essential read towards what Stuart Hall once described as an ‘alternative logic.’

The Left, me included, has a bit of a thing about its own history. For some this is an unhealthy obsession with unchanging certainties. For others a breathless modernisatiin which defines itself by junking the past simply because it old not new. What considering our past of course should be about is not being trapped by it but beng liberated by our history via an exploration of what became possible and what proved to be impossible. Hence a favourite journal of mine is Twentieth Century Communism the latest edition uses the 1917 Centenary to revisit the differing politics of previous commemorations, testament to the journal’s unpredictable breadth, and insightful depth. A similar, but even wider approach is taken by the journal’s special edition Echoes of October ranging even wider over the period of commemorations from 1918 to 1990 with Ukraine in the 1920s Weimar Germany and Pravda amongst those included. A very different approach is taken by a long-time supporter of Philosophy Football  Pete Ayrton with Revolution! A really revealing collection of original writing from those Ten Days that shook the proverbial one hundred years ago. Available as an exclusive signed first edition from here. A challenging account of 1917 is provided by John Medhurst’s No Less Than Mystic  a deconstruction of the history which is both scathing of the errors made yet incontrovertibly optimistic of the unfulfilled potential.  Of course any account of the Communist tradition has to be about more than just 1917. Another special edition from Twentieth Century Communism Weimar Communism details the extraordinary rise of the most powerful post-1917 Communist Party outside of revolutionary Russia, the German Communist Party, and its eventual eclipse by the parallel rise of Hitler’s Nazi party.  A splendidly different account is provided in Red International and Black Caribbean by Margaret Stevens where she uncovers the largely hidden history of Communist organisation in Mexico, the West Indies and New York City during the inter-war years, 1919-1939.  Of course the period since 1945, and again since ’89, has convulsed whatever remained of the Communist ideal after those early days shaking the world. Mike Makin-Waite’s Communism and Democracy provides an insightfully original account of the twists, turns and missed opportunities from there to here without ever losing sight what remains alive, if not always kicking. The second volume edited by Evan Smith and Matthew Worley on the British Far Left Waiting for the Revolution is an account of post 1956 communists and revolutionaries of various varieties who lost their way on more than one occasion but for all that kept on, keeping on, a persistence which isn’t all bad, or all good either, and this collection helps us to understand why.

But none of this historiography makes much sense if in the process the personal is divorced from the political. Michael Rosen’s So They Call You Pisher? avoids the latter pitfall. As a memoir of growing up in a London East End Jewish Communist household the book combines sublimely a rich humour and a sharp politics with good writing which is such a rare combination in most left writing , and that’s a great shame.

The mix of radical politics with popular culture remains a constant, yet necessary struggle. It is something on the whole Corbynism remains rather weak on considering the huge potential. This is another instance where valuable lessons can be learnt from history, not to slavishly replicate earlier models but to recreate for the times in which we live now the ideals that fused these cultures of resistance back then. One such example is retold by Rick Blackman in his short book Forty Miles of Bad Road  which uncovers how musicians came together to help promote unity after the 1958 Notting Hill Race Riots. A perhaps more familiar era is revisited by Matthew Worley’s No Future detailing the collision of punk, politics and youth culture 1976-84. Heady days for those who lived through them and invaluable towards understanding the potential for something of the sort, similar but different, today. Grime4Cobyn and the We Shall Overcome Weekend fesitvial beng just two examples from 2017 of the possibilities. 

One possible fusion of the political and the cultural is poetry. Rosy Carrick’s new edition of the epic Mayakovsky poem Valdimir Ilyich Lenin is 197 pages’ worth proof positive of that.  Or for a more current exponent look no further than Michael Rosen (again) and his latest poetry collection Listening to a Pogrom on the Radio. Not that there aren’t plenty more from where Michael is coming from, the Bread and Roses 2017 Poetry Anthology On Fighting On! brings together a selection of just some of the many wordsmiths working on the poetry front versus reaction, and the evidence here suggests, to very good effect.  With a thriving spoken word live scene too, and the work of groups like Picket LIne Poets and Nymphs and Thugs, another invaluable resource of hope towards a better future.

And amongst all this reading what about something for the children? Detective Nosegoode and The Museum Robberyby Polish children’s author Marian Orton´ is every bit as good as the previous two in this series for junior crimefighters. A newly revised version of a familiar tale of all things Scroogelike Michael Rosen’s (yes, that man again) Bah! Humbug! is of course an absolute seasonal treat. 

Apart from all these reads for the most stylishly political stocking-filler this year’s Verso Radical Diary is every much a must-have as the 2017 debut edition.

And the political book of this seasonal quarter? After the year we’ve had combined with a passion for mixing politics, popular culture and humour there was only ever one contender.  Incredibly original, with a vast range of wonderful artists contributing, The Corbyn Comic Book funny, touching and meaningful. And looking forwards, or Oh 2017... as the New Years's Eve song, might go what could next year possibly bring?  

Note No links in the review are to Amazon, if you can avoid buying from tax dodgers please do.

Mark Perryman is the co-founder of the self styled sporting outfitters of intellectual distinction aka Philosophy Football. His own book The Corbyn Effect was published in 2017 and is available from here

Philpsophy Football Launches 1917 Centenary Film

Today, 7th November, on the hundredth anniversary of the storrming of the Winter Palace that completed the October (to confuse matters the Russians back then were using a different calendar) 1917 Russian Revolution Philosophy Football presents 1917 : Russia's Red Year - The Movie.  With the help of MIchael Rosen's voiceover and the Red Army Choir providing the soundtrack and thanks to the generous support of the RMT we have turned these historic 24 hours a century ago into a cartoon strip, using the superb drawings of Tim Sanders and the text of John Newsinger who togther created the graphic novel. 1917 : Russia's Red Year.

Philosophy Football's 1917 Centenary range of plates, T-shirts, books and anniversary badge available from here

A 1985 Exhibition of Soviet Design came to London and showed Mark Perryman the real meaning of revolution

1985. Thatcherism reigned triumphant. The Miners Strike was coming to a sorry end. With Reagan in the White House the second Cold War dominated what remained of international relations. It was perhaps curious therefore that the Crafts Council of England and Wales should choose to open the year with an exhibition of Soviet textiles, fashion and ceramics 1917-1935, Art into Production.

In 2017 there has been a whole host of Russian Revolution centenary exhibitions, conferences, TV specials and the like. But 1985? The extraordinary richness of the art however was more than sufficient to resist and reverse the pessimism that leftist visitors to the exhibition like myself were suffering from as any prospect of a progressive, let alone a socialist, politics receded ever further into the faraway distance. The emotional downturn of opportunities for change in turn created bitter divisions in and around a Left in retreat . If our lot was convinced we were right, then we were absolutely certain the other lot were wrong, and this was just on our own side. 

How could a dash of 1917 and afters art impact upon this? In the beautifully produced exhibition catalogue, there were some lines extracted from Komsomol’skaya Pravda, the newspaper of the Young Communist League, 28^th April 1928 which began to form in my mind a very different approach to a Left cultural politics to the one most of us were used to. And as the 1917 centenary fast approached, with a resurgent Corbynite Left too, I’ve been reminded of those words:  

“ We must not accept this ‘non-resistance’. The cultural revolution, like the bugler’s trumpet, is summoning for examination and revaluation everything which mobilises or poisons our consciousness, our will and our readiness for battle!”

So far. So familiar. The over-familiar instrumentalism of almost all versions of socialist, and communist too, cultural politics.  But then the extract took a less predictable turn: 

“In this ‘parade’ of objects there are no non-combatants – nor can there be! Plates and cups, ie things we see daily, several times a day, which can do their bit for the organising of consciousness – these occupy an important place.”

Blimey, this was wasn’t the usual socialist fare I was well-used to.  OK susceptible to a workerist ‘prolecult’ tendency perhaps, though the colourful, often highly feminised, designs throughout the exhibition indicated this was a relatively minor deviation (sic). Rather what the young communists of 1928 were mapping out was a cultural politics that was both all-embracing and highly practical. Pluralist and pre-figurative as the leftie-jargon speak I had learnt by ’85 to drop into any conversation of the right political sort might describe such a venture. And they weren’t going to put up with any naysayers and feet draggers either:

“ We demand that a plate should fulfil its social function. We demand that the role of everyday objects should not be forgotten by our young specialist artists and the bodies in charge of our industry.”

It is easy to mock the idealism but if the debates over what is, was, should, be done in 1917 serve to mask the boldly radical ambition therein then we surely lose something invaluable.  This is what Art into Production all those years ago achieved and I’ve never forgotten it.  More recently Owen Hatherley’s peerless book Landscapes of Communism does something  similar via the architecture of the Soviet era . Or poet Rosy Carrick’s stunning reading of Mayakovsky’s epic poem Lenin.  And cartoonist Tim Sanders hugely imaginative depiction of the events of October 1917 via the subversive idiom of a graphic novel, Russia’s Red Year. All three sit outside the orthodoxy of both an establishment culture that treats the Russian Revolution purely as an historical event and a tendency on parts of the Left to divorce the insistence on a particular political interpretation of the revolution from a broader understanding of the heady idealism 1917 inspired but could never entirely discipline to its own ends. In this regard each is both a most welcome addition to the centenary celebrations but also I ‘d suggest an approach to understanding the Russian Revolution that in their different ways can be traced back to those young Communists of 1928 exhorting the production of socialist plates, cups and saucers.

Also coinciding with the centenary has been the release of Armando Iannucci’s blockbuster comedy The Death Of Stalin. The man behind the brilliantly funny The Thick of It which skewered the Blairite world of spin and soundbites with brutal wit has turned to an era that the film’s posters mischievously describe as ‘ a comedy of terrors’. Only the most po-faced would stifle the laughs as one wisecrack after another demolishes what Stalinism had turned Soviet Russia into. But the film ends up being satirical for a cheap laugh’s sake and leaves this cinemagoer at least with a sense that if all we are left with is the cynicism of pointlessness then the prospects for change are inevitably narrowed and all we are left with is the motto ‘who cares, who wins’.  This is what the likes of Iannucci, Private Eye and Have I Got News for Youthrive on, a manufactured anti-politics with the lazy assumption that everybody is as bad as each other and never mind either the causes or consequences. The political clowning of Boris Johnson becomes the natural expression of all this, a rebel without a cause except his own personal advancement. Oh c’mon he’s only having a laugh, and what’s the harm in that.  £350m for the NHS thanks to #Brexit has at last partly put paid to that sorry myth.

So instead of rollicking in the cinema aisles as one Death of Stalin joke piles into another I prefer to cling to my necessity of having some smashing plates, mugs and saucers. Framed by the utopian idealism for a better world than the one that those in Russia had endured in the years preceding 1917, visualising via the most vivid combination of imagination, originality and clash of colours the prospect of constructing a new society. When that hopeful vision is absent then our capacity to imagine what change might look like lacks something vital too. A sentiment worth preserving via some tasty antique ceramics. Not trapped by the past, that way spells dogma and cultural conservatism. But there is something wrong too with the ahistorical version of modernity which became the watchword of 1990s Blairism. If it’s old it must be crap, the denial therefore of the past ever inspiring the present towards changing what the future otherwise has in store for us.. And most crucially, if you like the revolutionary element, given practical expression via its lived presence in the everyday. Pasokification across Europe has led to a new era of headlong retreat for social democracy buyt this time accompanied by an insurgent, popular, Left that is seeking to challenge and transcend the limitations imposed upon it by a wholesale surrender to neoliberalism. The advances are patchy, and incomplete, not remotely revolutionary according to the 1917 model but decidedly radical and seeking a decisive rupture with the existing system of ideas. In 2017 that’s more than enough for me. 

So where do the plates, mugs and cups of 1917 fit in to all of this?  Not to merchandise but to politicise. The revolutionary ceramics, and the process of production the Young Communists demanded is entirely different from the naff  trinkets and trifles emblazoned with Jeremy Corbyn’s name and face the Labour was flogging at party conference and no doubt on the stocking-filler list for a fair few Corbynite Christmas treats come 25^th December too. Harmless fun, well sort of, and to declare an interest yes Philosophy Football has produced its own COR 8YN T-shirt  but if that is the scale of our imagination and productive capacity it just shows how far we still have to go to get anywhere close to the scale of ambition of those 1917 plates.  What might a 2017 version look like, fired up and framed by The Corbyn Effect? That’s the kind of question I’d like to hear both being asked, and answered with practical output.   And in that process of originality and production  creating a great variety of means to identify with a politics that can effect a wholesale shift in the balance of forces from those few, to our many. Now that’s what I call politics.

The 1917 centenary plates collection reproducing original Soviet designs is available fromPhilosophy Football

Mark Perryman invites us to wear our dancing shoes to celebrate the October 1917 centenary

To sort of coin a phrase ‘ How do you solve a problem like VI Lenin?’ As the centenary of the October revolution fast approaches the flawed accolades provided by the likes of the Royal Academy, British Library and Design Museum exhibitions will be cleared away and the politics take centre-stage. We’ve already had an inkling of what to expect with the aftermath from Charlottesville sparking the moral equivalence brigade spouting their your communism was just as bad as their Nazism yah-boo sucks effort at intellectual debate.

Much of this is easy enough to disagree with but if in doing so we tie ourselves up in left-wing hagiography then I’m not sure how far we advance our cause either. Lenin remains, of course, the most superb tactician of revolutionary change, and deserves every credit for that, and more too, as a leader of an insurrectionary mass movement who in the process laid the basis for an entirely new society. There are precious few political figures from the twentieth century, what the historian Eric Hobsbawm dubbed as the ‘age of extremes’ who can match Lenin’s achievements. Except for the most embittered of anti-communists none of that should be controversial. The difficulties occur on our side when the tactics, leadership, and new society of Lenin are wrenched out of all context, or as theorists prefer, out of the ‘conjuncture’, to propose a politics of mimicry rather than adaptation to the conditions we face.  This is hardly a new debate either, the Italian communist Antonio Gramsci first raised this precise issue in the 1920s when he made the distinction between the revolution as a war of manoeuvre versus the war of position.  

So a century on, how to celebrate 1917?  It would be nice to get it right, after all precious few of us are going to be around for the bicentenary! The imperative of revolutionary change, notwithstanding this conjuncture or that, remains unchanged, and thus makes the best starting point. A notion summed up best by the title John Reed’s epic account of October 1917, Ten Days that Shook the World.  An ideal so good that neither Hollywood nor Warren Beatty were able to destroy the message and instead produced a rather decent film version, Reds.

1917 served to inspire across the entire spectrum of the arts. Music, poetry, architecture, design, theatre, fashion, literature, film, has there ever been such a moment where art was shaped out of revolution of such a range and on such a scale?  A revolutionary imperative that not only inspired, but recognised that to flourish these artists, writers, designers, poets would need the space to express this imperative in their own terms, not as servants of the revolution but in its service.

This first made sense to me in the mid 1980s, when the Crafts Council hosted a London exhibition ‘ Art into Production: Soviet Textiles, Fashion and Ceramics, 1917-1935’. The vivid colours, the variety of shapes, the ever-presence of a sense of movement with a purpose caught my eye and I’ve never forgotten it. Shortly after and the era of Gorbachev, Glasnost and Perestroika meant a much wider re-assessment of Soviet power on the world stage, the beginning of the end of what had threatened to become a new cold war.  And this was reflected too in a popular appropriation of ‘Bolshevik chic’.  Harmless enough in intent, broadly well-meaning but pretty much devoid of political content, there goes that  conjuncture again.

And so where do we end up for October 2017? In post-Soviet Russia Putin will seek no doubt to represent 1917 as indicative of the might of his Greater Russia nationalism, this was the era of the USSR after all, a nation on a scale that Putin today can only dream of.  Meanwhile across what used to be thought of as the West parties of social democracy are suffering a phenomenon the writer and activist James Doran has described as Pasokification.  A steep decline in support following these parties’ embrace of the neoliberal consensus, in Greece PASOK has suffered the steepest fall of all but elsewhere in France, Spain, the Netherlands, the Irish Republic social-democratic parties have not only declined but faced an insurgent challenge from their Left too.  None of this amounts to 1917 revisited but chimes nonetheless with the inspirational motives of radical change.

In Britain the picture is different.  Because the insurgency has come from within the party of social democracy itself, the rank outsider, the serial rebel, Jeremy Corbyn. Labour of course is not about to become a revolutionary party, it has never been one and will never turn into one.  But the sense that a party set on winning parliamentary power can co-exist with the ambition of reinventing itself as a social movement is increasingly prevalent as the defining characteristic of Corbynism.  

Finding a way to mix all this together for a 1917 centenary night out is no mean feat. But Philosophy Football, with the help of the RMT, are doing that at London’s Rich Mix Arts Centre on Saturday 21^st October.  Described by Time Out as ‘The Sex Pistols of Balkan Brass’ The Trans-Siberian March band headline with a special Shostakovitch inspired set. Michael Rosen reviews how 1917 produced a wave of childrens books at the time. Rosy Carrick performs extracts and interpretations of the brand new translation of Mayakovsky’s epic poem Lenin she has recently edited.  And the surprise hit of the Edinburgh fringe Des Kapital, recalls the events of the Russian Revolution via the songs of Taylor Swift, Katy Perry and Robbie Williams, a history lesson like none other complete with audience singalongs!  Add author of Landscapes of Communism, Owen Hatherley and Eldina Begic creator of the Comradettes clothing project with Richard Seymour author of Corbyn: The Strange Rebirth of Radical Politics on the spirit of revolution and be prepared to expect the unexpected.

There will be others who will debate the ins and outs of 1917 and all that what was to be done. That is right and proper, but the road to revolution needs its dancing shoes as well as marching boots. 1917? Ain’t nothing but a party.

Art out of Revolution is at Rich Mix, East London Saturday 21^st October. Tickets from here

Former Philosophy Football FC 'Gaffer ' Geoff Andrews has set up a network of study tours to explore Sicily’s rich culture. His latest idea is to join with Philosophy Football in opposing commercialised tourism.

I used to spend a couple of weeks a year tutoring on Open University summer schools, the most rewarding teaching environment I have ever experienced. Sadly the OU don't do these schools anymore but I was keen to continue the idea, talking about Sicilian history, film and food, which I had picked up travelling and writing about Italy over the past decade. In addition, running Philosophy Football FC had brought home the simple pleasutes of the beautiful game in contrast to the power of big companies. Happily I can now bring these two experiences together in a way which celebrates culture for the non-conformist traveller. 

Sicily is being rediscovered by the British. Once popular with Victorian and Edwardian travellers on pilgrimages, seeking convalescence or on a ‘Grand Tour’ of another ‘exotic’ culture, today it appeals to a new cohort of Brits. Perhaps tiring of ‘Chiantishire’ and persuaded by the charm and scenery of the Inspector Montalbano series on BBC4, increasing numbers of discerning travellers are making their way south. But what do they find when they get there?

It is a poor island economically, not only in comparison to Italy’s more affluent north but by wider European standards. It still suffers from poverty, unemployment and organised crime, while it has carried a large economic burden as one of the main arrival-points for migrants from North Africa. Yet it is extraordinarily rich in culture, with its unique and complex history of being dominated by different powers evident in its Greek temples, Norman castles, Baroque architecture and, of course, its food, which varies wildly right across the island. It was the home of some Italy’s most distinguished writers, including Giuseppe Tomasi di Lampedusa, the author of The Leopard, whose ‘Gattopardism’ (‘If we want things to stay as they are, things will have to change’) still helps explain political inertia; Leonardo Sciascia, whose novels on the search for truth and justice in the face of Sicily’s problems helped bring the mafia to serious public attention, and the feminist writer Dacia Maraini, brought up in Bagheria, near Palermo. The playwright Luigi Pirandello, who might be considered one of the first to portray ‘post-truth’, was from Agrigento, in an area now categorised as the ‘strada dei scrittori’, a land famous for its writers. Sciascia and Andrea Camilleri, the author of the Montalbano novels (and it is best to read the books in advance of the TV series), are both from the wider province. Some classic Italian films, among them Cinema Paradiso and Il Postino as well as classic neo-realist ones, Stromboli and La Terra Trema, were set on the island. Taormina, Sicily’s top tourist venue, perched high over the Ionian Sea, with its wonderful Greek theatre in the shadow of Mount Etna, an active volcano, was once a haven for writers, including D.H.Lawrence and Truman Capote.  

But what is the best way of exploring Sicily? Sicily’s unique history and contemporary predicament – rich in culture, relatively poor economically – makes it ideal for sustainable tourism. If you want a laid-on corporate experience, then it is not for you. Yet, the quality of the accommodation in agriturismi, (basically, family-owned ‘farm hotels’, often of 5 star quality), the food – an endless menu from streetfood arancini and panelle, to many varieties of fish, fruit and vegetables – and the renowned Etna wines, would put to shame much of what is counted as ‘luxury’ in today’s elite tourism. Sicily is famous for its hospitality where visitors are often regarded as guests rather than tourists.

Recent years have brought a new generation unwilling to wield to past problems and restraints. For example, there has been an open challenge to the power of the mafia by groups like Libera Terra, which produces and sells quality olive oil and wine on land confiscated from the mafia, and Addio Pizzo, which says ‘goodbye’ to protection money by increasing visible resistance and selling items produced by victims of mafia violence who suffered because they refused to pay it.

Sicily Unlimited was set up to explore this rich culture and work with local associations to help promote a sustainable vision of the island. Each year, we offer summer and Easter courses on Sicilian history, film and food, taught by myself,  awriter and historian, and the London-based Sicilian journalist Francesca Marchese. We stay on an agriturismo and collaborate with groups like FAI (the Italian National Trust) and Slow Food, in order to bring local knowledge and experience to the course. In the Kolymbethra Gardens in Agrigento’s Valley of the Temples, for example, FAI has done magnificent work in restoring an abandoned area of outstanding natural beauty. Nearby, at the Scala dei Turchi (Turkish Steps), a familiar site in the Inspector Montalbano series, it has led a successful campaign to remove illegally-built eyesore buildings which threaten the environmental heritage of a UNESCO protected space.  In Sicily Slow Food has been a grassroots movement which has done much to get just pay for small producers, defend traditional foods at risk, promote ‘eco-gastronomy’ and celebrate the simple pleasures of eating local food in a period which has seen the inexorable rise of global fast food corporations. The film and food week we organise on the Aeolian Islands in May combines visits to film locations with tastings of local food and wine during ‘Salina Isola Slow’, a Slow Food weekend. 

Sicily Unlimited shares a similar outlook to Philosophy Football in promoting alternatives to corporate culture, offering a different idea of ethical consumption and working with a range of progressive organisations. In this light we are delighted to offer a 15% discount off the fees of our courses together with a free Philosophy Football shirt of your choice if you join us in Sicily. For details and bookings for next year’s Easter trip to Etna, Catania and Taormina and the Salina film and food trip please visit Siciliy Unlimited  you can also email us here. 

Geoff Andrews is a writer and historian, specialisiing in twentieth century British and Italian politics and culture. His latest book, The Shadow Man, was a biography of the communist intellectual James Klugman. His next book will look at the so-called 'fifth man' of the Cambride spy circle, John Cairncross. You can follow Geoff on twitter @andrewsgeoffand Siciiy Unlimited @siciliyunlimited

Mark Perryman of Philosophy Football describes the possibilities of fan culture as a social movement. 

During the international break a mini-spat over the England players’ pride, or lack of, in wearing the three lions on their shirt provided a helpful starting point towards the remaking of football as a social movement. Explaining England’s inability to go even 1-0 up against the proverbial minnows of the Maltese football team until well into the second half has a lot less to do with the lack of emotional commitment from Harry Kane et al to end now the more than half-century’s worth of years of hurt than their actual inability to play. ‘Pride’ is the easy cop-out, what we’re actually witnessing is the ever-decreasing quality of English football. How many of England’s starting eleven would Paris Saint German be chasing after with their chequebooks, or Barcelona and Borussia Dortmund be in the market for after their most talented players have been sold off ? Of course the best eleven England can put on a pitch isn’t all bad but mostly their talent is boosted at club level by playing alongside foreign, more technically gifted and able players. On their own they’re not half as good.  And for the players who turn out for United, City, Chelsea, Liverpool and Spurs a World Cup Qualifier, and short of reaching the long-forgotten semi-final stage, the tournament itself, doesn’t come close to being the biggest match of their careers compared to the more realistic chance, until recently at any rate, of Champions League glory. It gets worse, the enormous wealth the Premier League provides to their clubs means even for those players faraway from making it into the Champions League, the season-long battle to maintain that status pushes England games pretty far down their, and their coaches, list of priorities. Arguably we might even stretch this to securing promotion from the Championship (sic) to the Premier League too.

Lack of passion? No, the result of commercial calculation.  This is at the core of the sickness of what football has become, the hopeless confusion of mistaking the richest league in the world with being the best. It’s no accident that the Championship play-off final is described almost exclusively in terms of the riches awarded to the victor rather than the quality of the football played.

For a period those disillusioned with the Premier League and all that adopted the mantra ‘Against Mod£rn Football.’ We first turned this into a T-shirt having spotted a Croatian Fans’ banner at Euro 2008 ‘ Against Mod€rn Football.’ The sentiment was internationalist enough to make perfect sense. But being ‘against’ is the classic oppositionalist default position. A catchy phrase that fits neatly on to chest sizes small-XXL but ‘Against Mod£rn Football’ is increasingly problematic in three ways. 

Firstly, there’s more than one version of modernity, is the ‘against’ aimed at the growth of women’s football, refugee leagues, a game without borders, the irresistible plurality of where fans come from, race, gender, sexuality and nationality divisions broken down. Being against all that ends with oppositionalism masking conservatism, or worse. Secondly the business of football has become inseparable from multinational corporate power. The macro-politics to reform the game traditionally adopted by both Labour and groups such as the Football Supporters Federation means any agency to enforce these policies seems almost impossible to imagine. Somehow I think an incoming Labour Government is going to have more immediate issues on its mind than nationalising the Premier League. Thirdly, therefore, there is a necessity to reimagine fan culture not as hardpressed consumers but as a social movement with the capacity itself to make change.

Currently this is very much a minority movement, but all such movements start out with big ambitions and modest advances. Their potential to grow and effect change is dependent on the ability to inspire via small victories which help convince wider forces this is a direction of travel worth pursuing. We can see this in the rise of militantly anti-racist ultra groups, at Clapton, Whitehawk and elsewhere. The growth of start-up football clubs, Hackney Wick FC, City of Liverpool FC and the women’s football club AFC Unity in Sheffield. The spread of community ownership up and down the divisions. The pro-refugees message heard from at least some stands, not on the scale of what was seen across the Bundesliga but present nevertheless. 

At the core of any such movement is gender. Recognising that if football is to become modern for all then the sport’s entrenched masculinity has to be challenged. Treating women’s football as different yet equal is a key step towards a truly inclusive game. On this basis the Equality FC initiative at Lewes FC where mens and womens playing budgets are the same, is a model for all clubs to aspire to if the pressure ‘from below’ can be built.

This isn’t fantasy football. It is about the remaking of the political, the recognition that it is in popular culture more than any other space that ideas are formed, the limitations on what is possible challenged and transformations take shape. Brighton, now a Premier League club, playing in their own city, an ambition only made possible because of a 15-year campaign by their own fans is a vital illustration of this possibility, a club culture absolutely framed by that fan-led campaign.  And it is fitting therefore that it is in Brighton at The World Transformed Festival alongside Labour Party Conference that many of those involved in these practical initiatives will be gathered together by Philosophy Football to launch a discussion on what a ‘Football from Below’ might look like.

Any such discussion if it is to have a meaningful purpose demands allies. Labour and the trade unions via such a dialogue will be forced to address the narrowness of their own agendas and the scarcity of their own alliances. Football is a signifier of so many other spaces in popular culture where Labour and the trade unions need to be present, be part of, connecting ideas to lived experience towards change.  New Labour adopted football in the same way it adopted Britpop as a cultural accessory, providing photo opportunities and celebrity endorsements. A flimsy appropriation out of a flimsy politics.  Corbynism promises something different, the framing of a popular, cultural politics will be vital to any fulfilment of that proud boast.  Football just one of what should become countless journeys of putting the ideas of Corbynism into practical extra-parliamentary achievement.

‘Football from Below’ wears the colours of FC St Pauli as our inspiration. But it is time to make that change in our own image too.  From the bottom-up, not in opposition to those who choose to follow the Premier League moneybagged bandwagon, that would be not only futile but also self-destructive. Instead as a minority we will be pioneering the practical possibility of building a game that doesn’t have to be run in the way it is. Rethinking football as a sport for all not a business to be run. Idealistic? Guilty as charged.

Philosophy Football’s Football from Below T-shirt is available from here

Shirsho Dasgupta interviews Mark Perryman Co-founder of Philosophy Football about the meaning and sgnificance of Rock against Racism

Shirsho Dasgupta  As someone who lived through the era, how would you describe the socio-political and economic situation of the United Kingdom in the 1970s and early 1980s?

Mark Perryman The late 1970s have to be remembered as an era of intense conflict. Huge industrial disputes, the miners strikes and Grunwick, the public sector strikes of winter of ’78. Even the bread bakeries went on strike! The war in Northern Ireland, the rise of the fascist National Front and their increasingly violent marches. At the same time this was the dawn of Thatcherism and the eclipse of postwar social democracy.

SD What was the appeal of punk and reggae at the time? Was it the lyrics, the stripped-down raw sound, or a combination of both?

MP This was the era of Pink Floyd, Genesis, Yes, ELO. They seemed increasingly divorced from the lived experience of teenage Britain. The Rolling Stones were living off a heyday a decade old, nearly 40 years later they still are. The teeny bop bands were taking over the charts, the Bay City Rollers.  The Sex Pistols Bill Grundy live TV interview, which I can still remember absolutely vividly quite literally said ‘up yours’ to all this. And pretty soon there emerged some sort of commonality with reggae too. That wasn’t universal but there was at least an awareness that different youth culture communities were finding their own voice in place of the one pop culture manufactured for them.

SD Besides the music, what were the other aspects of Rock against Racism that were significant? 

MP I’d answer that in two ways. First, there was no certainty that the nihilism of punk, complete with Nazi-swastika imagery, would turn in a progressive, anti-racist direction. The fact that it did was both hugely significant and     down to Rock against Racism (RAR). Second, RAR was a movement anyone could join because there was nothing to join. No membership card,  no delegates to be elected, no conferences to attend, no votes to be had. Just a roll of dayglo stickers, a badge, and a do-it-yourself gig culture, that was what made you a member, a part of it. This was a politics from below, it was fun, anybody could do it however, whenever, wherever. And this was all pre-social media. A phenomenal achievement that has never really been matched since. The closest has been this years ‘ Oh Jeremy Corbyn ‘ chant, a sense of being part of something much bigger than ourselves alone but yet to take a popular culture form. If and when it does the potential for a shift to the left will be huge. The writer Tom Blackburn calls this potential ‘Corbynism from Below’ I like the sound of that.   

SD Do you think in the age of rising Islamophobia, homophobia, and Trump, we can describe our situation today as similar to that four decades ago?

MP Not exactly. But what we are beginning to witness, this is where the parallels lie, is the break up of another period of consensus, neoliberalism.  In Britain this is sparking a shift to the Left led by Jeremy Corbyn but that break is much less obvious elsewhere, for example Trump in the US, Macron in France.

SD Do you think today a cultural movement like RAR can be as potent a fighting force against the right-wing as it was forty years ago?

It can be potent but it won’t be the same. It’s not really for me and those of my generation to speculate on what it would look, or sound, like, that’s for the new and next generation Left to shape. But I do think it is entirely valid to assert the necessity of such a clash, what Stuart Hall described in 1978 as ‘ one of the timeliest and best constructed of cultural interventions’  to consder the reasns too for the near total absence of anything of RAR’s scale of ambition, imagination and reach since the 1980s aftermath of miners solidarity gigs and of course Red Wedge, and the conditions that might spark something of this sort again. That’s what I see in Corbynism, and perhaps #grme4corbyn too, certainly the ‘Ohhhh Jeremy Corbyn Chant’ . Not rooted in the individual, however appealing Jeemy Corbyn might be, nor the Labour Party, however big it has becime in terms of membership, but this much more generalized mood that at last change is becoming possible. If a popular cultural movement emerges then this shift will be immeasurably strengthened and right now we have the makings of this as a possibility. It’s a window of opportunity, for the first time since ’78 and RAR’s Carnival helped to ensure the defeat of the NF. 

Mark Perryman is a contributor to Reminscences of RAR : Rocking against Racism 1976-1982. His own bookThe Corbyn Effect is out in mid-September available to pre-order here. 

Sunday 24th September, 11am-1pm at The World Transformed Festival, Brighton, Community Base , 113 Queens Road, Brighton BN1 3XG